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Painting, Renaissance --- Underdrawing --- Infrared technology --- Expertising
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Painting, Renaissance --- Peinture de la Renaissance --- Holbein, Hans, --- Holbein, Hans --- Bibliography --- Catalogs
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Painting, Italian --- Painting, Renaissance --- Peinture italienne --- Peinture de la Renaissance --- Uccello, Paolo,
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Italiaanse schilderkunst --- Italian painting --- Painting [Italian ] --- Peinture italienne --- Schilderkunst [Italiaanse ] --- Painting, Gothic --- Painting, Italian --- Painting, Renaissance --- Peinture gothique --- Peinture de la Renaissance --- Painting, Italian. --- Giotto, --- Painting [Gothic ] --- Italy --- Painting [Renaissance ] --- Painting, Gothic - Italy.
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Painting, Italian --- Painting, Renaissance --- Peinture italienne --- Peinture de la Renaissance --- Crivelli, Vittore, --- Crivelli, Vittore, --- Criticism and interpretation. --- Critique et interprétation
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Sculpture, Renaissance --- Painting, Renaissance --- Architecture, Renaissance --- Sculptors --- Sculpture de la Renaissance --- Peinture de la Renaissance --- Architecture de la Renaissance --- Sculpteurs --- Biography --- Biographie --- Michelangelo Buonarroti,
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Painting --- Human beings in art --- Painting, Renaissance --- Peinture --- Personnages dans l'art --- Peinture de la Renaissance --- Appreciation --- Themes, motives --- Appréciation --- Thèmes, motifs --- Painting, Italian --- Painters --- Themes, motives. --- Psychology. --- Appréciation --- Thèmes, motifs --- Painting, Italian - Themes, motives. --- Painting, Renaissance - Italy - Themes, motives. --- Painters - Italy - Psychology.
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Painting, European --- Painting, Renaissance --- Painting, Modern --- Art --- Peinture européenne --- Peinture de la Renaissance --- Peinture moderne --- Art --- Exhibitions. --- Exhibitions --- Private collections --- Exhibitions. --- Expositions --- Expositions --- Expositions --- Collections privées --- Expositions
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Cet essai s'inscrit dans une perspective d'histoire culturelle de arts,qui associe étroitement histoire de la peinture et connaissance des pratiques relligieuses. La dévotion faisait usage d'un art public dont le retable fut l'emblème la sphère plus intime de la piété générait, elle, un registre différent: limago pietatis. Formellement ce type d'image ressortait, à la fin du Moyen-Age, au genre de l'icône, hérité de Byzance. Au XVe siècle, l'Italie du Nord et les Flandres vont être le théâtre presque simultané d'innovations iconographiques majeures: la scène narative investit progressivement l'image de dévotion. L'auteur retrace avec précision la généalogie de ce processus subtil qu'initient notamment Mantegna et Hugo Van der Goes.
Painting --- Iconography --- anno 1400-1499 --- Painting, Renaissance --- Icon painting --- Peinture de la Renaissance --- Peinture d'icônes --- Painting, Renaissance. --- Analyse de l'art --- Peintre --- Icône --- Van Der Goes, Hugo --- Mantegna, Andrea --- Quattrocento --- 15e siècle --- Peinture d'icônes --- CDL --- 75.033 --- Narrative painting, Gothic --- Narrative painting, Renaissance --- Illumination of books and manuscripts, Gothic --- Illumination of books and manuscripts, Renaissance --- Renaissance illumination of books and manuscripts --- Gothic illumination of books and manuscripts --- Gothic narrative painting --- Renaissance narrative painting --- Bible. --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- Illustrations.
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